The Evolving Fashion of Wedding Dresses in the UK

A wedding dress in terms of definition, is a bride’s clothing worn during a wedding ceremony. In the UK and many other parts of the western world, the culture of using white-colored wedding dresses uk was made popular in the 19th century by Queen Victoria, in the early period of her reign of the British Empire known as the Victorian era. She had worn a white wedding gown in her marriage ceremony to Albert of Saxe-Coburg in the year 1840. This typical fashion of wedding dresses later on had been recognized as the Victorian style and since then has become a trending fashion and being adapted with a variety of variations as today’s wedding dresses especially in the UK and most western countries.

Further ahead in time, another major milestone of the wedding dresses fashion in the UK has been established by the late Lady Diana Spencer, as she was married to Price Charles, the Prince of Wales in 1981 at St. Paul’s Cathedral. At this colossal wedding ceremony that caught the attention of almost all fashion observers and lovers across the world, she had worn an ivory silk taffeta and antique lace gown, combined with an extraordinary 25-foot train, which at that time has an estimated value of £9,000. This exquisite royal wedding dress, which was designed by the well-known British couple, David and Elizabeth Emanuel, has become one of the most famous wedding dresses in the world, and was well-thought-out since then as a major standard benchmark on how beautiful western wedding dresses can be produce.

In the preceding years, another benchmark of the design development of wedding dresses in the UK has been established, exactly in the year of 2011, when Catherine, Duchess of Cambridge or commonly known by the name of Kate Middleton, had been wearing her wedding gown that combined tradition and modernity, at her at her wedding to Prince William, Duke of Cambridge. This appealing gown, which was designed by an English designer working as the creative director of Alexander McQueen’s luxury fashion house, Sarah Burton, was widely anticipated as replicas of the garment were later on produced and sold to the public. Adapting the Victorian style as well, the dress was made in ivory and white satin gazar, matched with a full skirt designed to echo an opening flower, forming a Victorian-style semi-bustle at the back with soft pleats unfolding to the floor, combined with a short train measuring approximately three meters in length.